![]() ![]() O’Keeffe soon moved to New York and became a muse Stieglitz had always wanted. ![]() He was instantly taken by the work and made plans to show it to the public. She, on the other hand, was 28 and unknown. The correspondence tracks their relationship. When Stieglitz and O’Keeffe met in 1916, he was 52 and famous an internationally acclaimed photographer, with an avant-garde gallery in Manhattan. Sometimes I feel I'm going stark mad-That I ought to say-Dearest-You are so much to me that you must not come near me-Coming may bring you darkness instead of light-And it's in Everlasting light that you should live. Painter Georgia O'Keeffe and photographer Alfred Stieglitz wrote each other letters sometimes two and three a day, some of them 40 pages long. O’Keeffe clearly is enamored of Stieglitz. ![]() Though he was married to another woman, the two had fallen in love. He wrote to her on May 26, 1918: "What do I want from you?-. art institute of chicago Alfred Stieglitz, Georgia O’Keeffe, 1919/20. The two continued their long-distance courtship until the spring of 1919 when O’Keeffe contracted the Spanish Flu in Texas. As part of her convalescence, she decided to move to New York permanently, so that Stieglitz could care for her. PROVENANCE: Alfred Stieglitz and Georgia O’Keeffe, Lake George, New York. O’Keeffe came to New York and then, as she's about to return to Texas, Stieglitz wrote to her on June 1, 1917: "How I wanted to photograph you-the hands-the mouth-& eyes-& the enveloped in black body-the touch of white-& the throat-but I didn't want to break into your time-." OKeeffe later maintained that she was not in favor of the wedding, which was held chiefly for the sake of Stieglitzs daughter from his first marriage. He became her mentor and exhibited her work in his prestigious gallery, giving her a solo exhibition there in April 1917. ![]()
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